One of the most challenging things about composing, whether
for an orchestra or a chamber group, is the concept of transposition for
instruments who don’t play in the concert key (clarinet, saxophone, etc.)
Knowing how to write for the instruments is key for any type of composition. In
this guide, we will look at the different kinds of so-called transposed
instruments and learn how to transpose for them.
What Are Transposed Instruments?
As you may know, many instruments, such as clarinet and
saxophone, read one note and play another, compared to what we call concert
pitch (the actual notes as played on a piano). For example, when a trumpet
reads a C on paper, the note that sounds is a B♭, a
full step (major second) below the written note. These so-called transposing
instruments need to have their music transposed to a different key to play in
the same concert key as all the other instruments.
For instance, because the trumpet always sounds a major
second lower than written, you need to write the trumpet part a major second
higher than the pitch you actually want to hear. So if you want the trumpet to
play a concert C, you have to write a D; the trumpet reads D, plays C, and
everything is right with the world.
The Instrument Groups
Most transposing instruments fall into three groups and are
named according to how they relate to C:
- B♭ instruments, such as the trumpet, sound a major second below concert pitch. So if they read a C, they sound a B♭.
- E♭ instruments, such as the alto sax, sound a major sixth below (or a minor third above) concert pitch. So if they read a C, they sound an E♭.
- F instruments, such as the French horn, sound a perfect fifth below concert pitch. So if they read a C, they sound an F.
The following table details which instruments fall into
which group:
Transposition Range
|
Sounds
|
Instruments
|
B♭ instruments
|
Major
second lower
|
Bass
clarinet (actually a major ninth lower), Bass saxophone, Clarinet (B♭), Cornet, Flugelhorn, Soprano saxophone, Tenor
saxophone (actually a minor ninth lower), Trumpet
|
E♭ instruments
|
Major
sixth lower
|
Alto
clarinet, Alto saxophone, Baritone saxophone (actually a major thirteenth
lower), E♭ clarinet (actually a minor third
higher)
|
F
instrument
|
Perfect
fifth lower
|
English
horn, French horn
|
With a few exceptions, instruments not listed here are
nontransposing—that is, what they play sounds exactly as written, in concert
pitch. The best example of a nontransposing instrument is the piano; you read
middle C, you play middle C, the piano sounds middle C—no transposing
necessary.
How to Write for Transposed Instruments
When you write a part for a transposing instrument, you do
all the transposing up front by changing the key of the piece for that
instrument’s part. That is, you don’t necessarily transpose each and every note
individually; the transposition is done by shifting the key signature for the
transposing instrument. For example, if a composition is in the concert key of
C major, you would write the trumpet part in D major.
A passage in the concert key of C major, transposed to D
major for the trumpet part.
Music Notation Programs
Fortunately, today’s music-notation programs automatically
perform this transposition for you, saving you the trouble of transposing all
the instruments manually. With a program like Finale or Sibelius, you can write
the entire piece in concert pitch and then have the program output individual
parts in the instruments’ transposed pitch.
Notation programs aside, transposition is still a valuable
skill to have. You never know when you’ll need to make changes to individual
parts on the fly, requiring real-time transposition. If you can transpose,
you’ll also be able to communicate better with individual musicians; when the
trumpet player asks you if a given note on his part is supposed to be a D,
you’ll know he’s talking about concert C and can respond accordingly.
Now that you know how to change keys for transposing
instruments, writing your musical composition will be much easier! Happy
composing!
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